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Ernst Jünger was once certainly one of twentieth-century Germany’s such a lot important—and such a lot controversial—writers. embellished for bravery in international warfare I and the writer of the acclaimed memoir from the western entrance, Storm of Steel, he frankly depicted the war’s horrors while he extolled its glories. As a Wehrmacht captain in the course of the moment international warfare, Jünger faithfully saved a magazine in occupied Paris and persevered to put in writing at the japanese entrance and in Germany till its defeat—writings which are of significant old and literary significance.

Jünger’s Paris journals rfile his Francophile pleasure, romantic affairs, and fascination with botany and entomology, along mystical and non secular ruminations and trenchant observations at the career and the politics of collaboration. operating as a mail censor, he led the privileged lifetime of an officer, encountering artists corresponding to Céline, Cocteau, Braque, and Picasso. His notes from the Caucasus depict chaos and distress after the defeat at Stalingrad, in addition to candid reviews in regards to the atrocities at the jap entrance. Returning to Paris, Jünger saw resistance and used to be peripherally eager about the 1944 conspiracy to assassinate Hitler. After fleeing France, he reunited together with his relations as Germany’s capitulation approached. either player and commentator, just about the horrors of heritage yet frequently soaring above them, Jünger became his existence and stories right into a murals. those wartime journals seem right here in English for the 1st time, giving us clean perception into the quandaries of the 20 th century from the willing pen of a paradoxical observer.

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A German Officer in Occupied Paris: The War Journals, 1941-1945

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